dir. Masaki Kobayashi
Japan, 1962
A patient sort-of detective film - repeated stories, changed slightly, parallels between present and future. Restrained, so that the violence seems worse than it is. Very well composed.
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All the films I see. And barely much more than that.
Me
- Mark
- I am writing a PhD at the University of Glasgow entitled "The Poetics of Time in Contemporary Literature". My writing has been published in Type Review, Dancehall, Puffin Review and TheState. I review books for Gutter and The List. I am also an editor and reviewer at the Glasgow Review of Books.
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